Fortune500
Shooting a commercial for VISA. We produced the following commercial spot for a San Francisco-based fintech firm, TrialPay, that was acquired by VISA. Our video helped promote the launch of their new b2b mobile product.
Shooting a commercial for VISA. We produced the following commercial spot for a San Francisco-based fintech firm, TrialPay, that was acquired by VISA. Our video helped promote the launch of their new b2b mobile product.
So, your client wants the edit to have more energy. What’s an editor to do? You’ve painstakingly selected all of the best takes, added in your best music track, worked to make the …
Read More →When the client says, we want it to look like an Apple commercial, what do you do?! First, you need to find and book a sound stage with a “cyclorama” curve to one, or …
Read More →W.C. Fields cautioned about shooting on set with children and … animals.
So, how do you shoot a commercial when the creative calls for animals in the script? First, you hire a professional …
Read More →The very first feature films that were produced were “silent” films. Think Charlie Chaplin and Buster Keaton. When Chaplin and his “kid” discuss what meager meal they will have for dinner, their audio was a …
Read More →Here we are shooting a new project on the streets of downtown Los Angeles for an awesome repeat client. Reading left to right: makeup artist, wardrobe artist, steadycam operator, director of photography, sound engineer. Out …
Read More →Pictured here, part of our cast and set design for a recent shoot on a sound stage in Los Angeles. We are in production on a commercial spot for a Silicon Valley-based technology film that …
Read More →Machine learning and A/B testing are all the rage. Split testing is a great way to compare different stories and to better understand your audiences’ preferences. Marketers are already testing landing pages, emails, products, headlines, …
Read More →We’re setting up for executive interviews with one of the heads of marketing at Audi North America. You can see the Director of Photography standing behind two cameras. One camera is on a …
Read More →DaVinci has been well known as a robust color-grading and color-correction platform. While Premiere Pro is a highly respected, non linear-based picture editing platform. Premiere Pro is also fully integrated with Adobe’s other Creative …
Read More →The new RED Epic Weapon features a “Helium” 35.4 Megapixel CMOS sensor (29.90 mm x 15.77 mm, diagonal: 33.80 mm) with up to 8K in resolution (8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, …
Read More →Pictured here is an autonomous vehicle ready to roll. The van solves last-mile deliveries. It’s also fully electric. Brave new world! We chased and live-streamed the vehicle making deliveries around San …
Read More →Pictured here is our Sound Mixer in front of the Camera and Art Departments, plus our Stand In. We shot 2 :15 second and 2 :30 second spots for a Fortune 500 consumer packaged …
Read More →Here we are shooting with the new MoVI Pro from Freefly Systems. This rig allows you to execute smooth handheld camera moves. The 360 degree gimbal allows you to compose, move and shoot seamlessly through …
Read More →Working with a full crew, we just shot an awesome project with none other than, Ayesha Curry, for GoDaddy. Pictured on camera below is our stand-in. Shooting twin ARRI AMIRAs, our …
Read More →Pictured here is our go-to makeup artist in San Francisco, as she styles one of our talent for a product video production. Producing a video often requires a full crew. Positions can include: …
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